Hang Time was supposed to be a warm and happy daylight film, but logistics and VFX made us decide to record at night. Next thing you know, i’m in the studio with the composer, making a dark, thriller inspired track as well as adding green graphics and thunder in VFX.

I’m so happy with where we are at, and I have so much gratitude towards Globe Studios and A. Kjærbede for letting me and the team have totale creative freedom. They didn’t even see the movie before the day we lauched it. That’s how much trust they put in it. Luckily they liked it.”